An awkward Juliette strikes an awkward pose. Source: seat42f.com |
Which brings me to this - I am loving Juliette this season. At the end of season one, we saw glimpses of her troubled backstory. But this season, we've seen her humanity in humorous ways. This has endeared the character to me. One of my favorite lines from the episode has to be: "According to wikipedia, that sound means the game's about to start!"
I suppose this is the point where I brag about my predictions from my last Nashville review. They've all come true! Gunnar and Zoey did indeed hook up, Will's already had trouble with Edgehill and Layla's already made her move, and Juliette's affair with Charles (who, in this episode, the characters are all of the sudden chummy enough with to call "Charlie") is about to cause her a world of trouble. Previews indicate we'll see that in next week's episode. What I did not expect about Juliette and Charles Wentworth was the possibility that the two of them might have a real connection.
I try not to comment judgmentally on the decisions the characters make (being as they are fictional) but rather how those decisions affect the overall complexity and richness of the story. Therefore, I'm not going to fault Zoey for her attraction to Gunnar. It makes for a good story. Plus, I have a theory that Sam Palladio can have chemistry with anyone.
From what we've seen so far, the new characters introduced in season two are adding to the drama in interesting ways. In particular, Luke Wheeler offers another - and very different - love interest for Rayna. "I was not expecting that," she says when he kisses her. Neither was I, Rayna. Well, not until the obviously foreshadowing conversation he had with Deacon at the polo match. This moment illuminates another fascinating thing about the nature of this show. The soapy details - like Luke's attraction to Rayna - move the larger "business of music" plots along. Because Luke wants to see more of Rayna, he's agreed to take Scarlett on tour. So Scarlett's big break might be the result of another entirely separate potential relationship. Which only proves that nothing's entirely separate. (And that makes a good story.)
And now for the reason anyone and everyone should watch this show: the music. The acoustic version of "Hypnotizing" was by far the best number in the episode. It turned a song I sometimes skipped past on the album into a true heartfelt ballad. Acoustic is how the song was meant to be sung. Oh, and listen for the harmonica.
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